
A raw bar and a dessert station visible to the dining room were added to Yew’s
design, helping to establish a sense of place and set guest expectations for an
exciting dining experience, says VP of F&B Guy Rigby.

Yew’s Las Vegas-inspired
menu of
“Urban West Coast
Cuisine” celebrates
the agricultural
diversity and bounty
of British Columbia,
but with a twist that
includes multi-cultural influences.

Seeking menu inspiration for Yew,
Four Seasons VP of F&B Guy Rigby
took his executive chef and F&B
director to Las Vegas to learn “how
to create drama on the plate” that
“appeal[s] to all the senses.”

Four Seasons
Vancouver
Executive Chef
Oliver
Beckert

General
Manager
Simon
Pettigrew

Responding to guests’ changing tastes, Guy Rigby, Four Seasons VP of F&B for the Americas,
transformed the Vancouver property’s traditional fine dining restaurant, Chartwell, into
Yew, a two-story open space featuring wood and stone of the Pacific Northwest and modern
touches of metal and glass, including an etched-glass-enclosed private dining room for 10.

Four Seasons offers
a $35 three-course
meal that recreates
the regional flavors
of sister properties. A
new region or nation
is highlighted every
month.

Four Seasons
Toronto Executive
Chef Claudio Rossi
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Nearly everyone in hotel food and
beverage operations must in some
context address today’s tough economic
circumstances. F&B programs
have been forced to reevaluate their
formats, menus, and service to
adjust to the shrinking budgets of
guests and corporations, as well as
the changing expectations of diners.
Even Four Seasons Hotels & Resorts,
a name synonymous with luxury, is
transforming its restaurants to meet
the means and tastes of guests. The
difference is that Four Seasons began
this transformation several years ago.
When Guy Rigby, Four Seasons
VP of F&B for the Americas, took
the helm as GM of the Four Seasons
Vancouver in 2005, he inherited
Chartwell, a fine dining restaurant
of great acclaim and heritage, but,
by then, past its prime. The stately
venue’s nights of being completely
booked had ebbed to only weekends,
and lunch was discontinued due to
lack of business. Chartwell’s days as
the place for a power lunch or an
opulent night out in Vancouver were over. But in Rigby’s mind, renovating
and retooling were not the answers.
“Whether it was sustainable or not wasn’t the question; [Chartwell]
wasn’t relevant,” says Rigby, who saw that it was not the restaurant itself
but the style of restaurant that didn’t resonate with his guests and potential
Vancouver clientele. Rigby acknowledged the charm of the venerable
establishment but knew customers balked at the price and stuffiness of a
fine dining atmosphere.
“I believed people were no longer going out to these fancy [fine dining
restaurants] with complicated food, expensive entrées, and the ambiance
of library rooms, with the gentle clinking of glasses,” Rigby says. He envisioned
a more contemporary restaurant with the simple flavors, more affordable
prices, and dramatic atmosphere that his target clientele wanted.
Rigby contracted EDG, an interior architecture and design firm from
the San Francisco area, to create the drama he says was lacking for the
restaurant’s rebirth as the more casual Yew. EDG gave Yew an open, twostory
space with wood and stone of the Pacific Northwest and modern
touches of metal and glass, including an etched-glass-enclosed private
dining room for 10 with a grand glass sculpture suspended from the
ceiling. The design also opened up the kitchen, added a raw bar and a
dessert station visible to the dining room, and absorbed the bar and the
Garden Terrace area that previously stood separate from the restaurant.
Rigby says the EDG design gives Yew a sense of place and sets guest expectations
for an exciting dining experience.
To help meet those expectations, the Yew menu needed to excite the
palate with vibrant flavors and dramatic presentations in order to match
the thrill of the room’s design. Rather than being pigeonholed as a seafood
restaurant, steakhouse, or the like, Rigby wanted a menu to uphold Four
Seasons standards and to appeal to a wide spectrum of diners. He also
wanted Yew “to be associated with the great food restaurants of the West
Coast,” and he knew where to find the inspiration he needed.
Rigby took his executive chef and F&B director to Vegas. “We ate at 10
of the most popular restaurants in Las Vegas,” he recalls. “We wanted to
understand how to create drama on the plate. We wanted to appeal to all
the senses.”
The team returned to Vancouver and solidified Yew’s menu. The
result was “Urban West Coast Cuisine.” Today, Executive Chef Oliver
Beckert uses his classical training and global experience to continue
taking the menu out of the ordinary, to satisfy today’s desire for dishes
with far-flung cultural influences created with as many local and fresh
ingredients as possible. Beckert—who took on his position and composed
his first menus earlier this year to succeed the menu handed down
from Yew’s first executive chef, Rafael Gonzalez—offers a fennel and
potato seafood bisque with Spanish saffron and roasted garlic aioli for
$11 (CAN). A braised beef short rib rigatoni is served simply with wilted
arugula, pine nuts, and pecorino cheese for $22. Chef Beckert retained
the black truffle mac & cheese from Gonzalez’s menu “for fear of an uprising.”
And the raw bar presents a sampler selection of saffron and chili
marinated octopus, jalapeño scallop ceviche, spicy ahi tuna tartar, and a
lobster/mango roll, each for $25.
The new menus maintain their pan-cultural breadth while celebrating
the agricultural diversity and bounty of British Columbia’s land and
sea, but with a twist. Beckert took the reins during a down economy, so
he trimmed menu items to their essential flavors and limits any frivolous
embellishments.
“We stayed away from high-end cuts and other expensive ingredients,”
Chef Beckert says, “and we have reduced prices 10 to 20 percent since I
arrived. People today are looking for value—even bargains—and uncomplicated
food, and a lot of restaurants are looking at us and trying to copy
what we’re doing.”
The trends appear to be global as well, with international guests “positively
surprised” by Yew’s food, service, and atmosphere. Regarding the
move past “classic” fine dining, Beckert says, “The business levels show
that they did the right thing.”
The man overseeing those business levels, current Four Seasons Vancouver
General Manager Simon Pettigrew, observes that the change to
a more casual, affordable venue has given him a revitalized lunch scene
and a dinner crowd that shows up all week. “Lunch is almost exclusively
local, perhaps 85 percent,” he says, “and dinner might be 50-50 local
and hotel guests.”
Pettigrew credits Yew’s “No Passport Required”
promotion with stimulating a good
deal of buzz locally, as well as among frequent
guests. Four Seasons Vancouver partners with
sister Four Seasons properties to offer a $35
three-course meal that recreates the regional
flavors of each property. A new region or nation
is highlighted every month, among others.
Guests can also opt to pair courses with wines
and spirits of the featured region.
Yew’s wine program is comprehensive and
covers a “huge variety of price points and varietals,”
but the real beauty for wine lovers is
that Pettigrew offers all of Yew’s nearly 250
wines by the glass. The stipulation is that you
must buy two glasses to open the bottle. Then
Yew’s Le Verre de Vin system is stocked with
opened bottles of gorgeous wines that guests
might luck upon on any night at by-the-glass
prices. The wine list is devised to hit the “sweet
spot,” with a predominance of bottles that
guests desire and can afford, and features a
good number of bottles from British Columbia’s
Okanagan wine region.
Rigby’s prescience in emphasizing a new
dining paradigm for the Four Seasons in the
Americas may give the brand’s many properties
a head start in sailing out of the economic doldrums.
As well as the Yew transformation that
happened under his watch as that property’s
GM, Rigby points to successes for the brand
with more casual dining and star chefs at many
other properties throughout the United States.
The Beverly Wilshire in Los Angeles has been
revitalized by CUT by Wolfgang Puck and power lunch hotspot Boulevard. Michael Mina has
brought his Bourbon Steak to the Four Seasons Washington, and the brand brought Kerry Sear
to the Four Seasons Seattle to open its contemporary restaurant Art. Four Seasons now insists
on using specialty restaurant designers to design all restaurants in new properties worldwide.
Yew is remarkable, however, in that it has achieved acclaim and popularity as a Four
Seasons-operated, casual dining restaurant without star chef power. Even in the slow-moving
economy, it has more than doubled the revenues that might have been expected from the restaurant,
bar, and lounge it replaced. Yew enjoyed $7 million in sales last year—its first year of
service—and that is with an average check of only $35.
Pettigrew says that resort hotels with a somewhat captive audience, such as the Four Seasons
brand had for fine dining, have historically had much more latitude to take risks and experiment
with new concepts than those situated in bustling urban centers full of competitors. With
Yew’s proven profitability in urban Vancouver, the brand has begun forming a respectable reputation
for a wider variety of dining experiences, and more casual restaurants wholly operated
by Four Seasons may start opening at other properties in a variety of markets.
Perhaps one of the strengths of the Four Seasons plan for Yew is that it defies formula. Yew
is not a restaurant that could be replicated successfully just anywhere. While it is an answer for
many guests on tight budgets, its appeal goes beyond economics. And—while it fits perfectly
into the trend of a society looking for “simpler” food—well-prepared, high-quality, uncomplicated
food never goes out of style.
Denny Lewis is a professional freelance writer based in Arlington, Massachusetts.
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